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759 / 1113 · Psalms 137 · Exile in Babylon · c. 586–539 BC, or soon after the return (it looks back on the exile)

By the Rivers of Babylon

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Refugees often say the hardest thing is not the loss itself but being asked to perform normality for others — to smile, to entertain, to be interesting about what happened to them. Psalm 137 opens in that ache. The exiles sit by the canals of Babylon, their harps hanging on the trees, while their captors ask for one of those famous songs of Zion. They cannot do it. What follows is one of the most loved openings in the Psalms and one of its most disturbing endings, and the psalm refuses to let us keep one without the other.

Where it sits in the story: The Babylonian conquest was not an abstraction; it involved siege, famine, slaughter and deportation, and a neighbouring people, Edom, cheering it on. Psalm 137 is the memory of that trauma set to poetry. It belongs to the Bible's long practice of lament, where nothing a suffering people feels is kept out of prayer — including the wish for revenge. Later Scripture will speak of vengeance being left to God; here we hear what it sounds like before it has been handed over.

What this chapter is doing: To preserve the exiles' grief and loyalty to Jerusalem in its full, unedited force — including their fury — and so to show that even the darkest feelings of the wounded are brought before God rather than hidden from him.

Why it is read here: This psalm mourns the ruin of Jerusalem or the temple, or cries out from exile, so we read it in the exile. A few in this group could fit other disasters.
The walk-through
  • 137:1–3 — By Babylon's waters the exiles sit and weep as they remember Zion. Their captors demand cheerful songs from them, and the harps are hung up in silence.
  • 137:4–6 — How can the Lord's song be sung in a foreign land? The singer swears a fierce oath: may my right hand forget its skill and my tongue stick to my mouth if I ever forget Jerusalem or rank anything above it.
  • 137:7 — The psalm turns to Edom, who stood by on the day of Jerusalem's fall urging, 'Tear it down, to its foundations.' The singer asks God to remember that betrayal.
  • 137:8–9 — Finally Babylon itself: a blessing on whoever repays it for what it did — and, in the last line, on whoever seizes its little ones and dashes them against the rock. It is the most shocking verse in the Psalter, and it is the last word.
What it showsThe canal-laced landscape fits Babylonia, where Judean deportees were settled; the Al-Yahudu tablets show Judeans living in a 'Judah-town' near Babylon. Edom's gloating over Jerusalem's fall is also remembered in Obadiah and Lamentations 4.
Where the evidence stopsThe psalm names no author, and its past-tense looking back may mean it was composed late in the exile or after the return. Nothing in the text or in later Scripture presents the final verse as God's command; it is the psalmist's cry, not a divine instruction.

Key verse: Psalm 137:4  ·  So what: The final verse should horrify us, and the Bible does not ask us to adopt it as our prayer. It shows what atrocity does to people: those who saw their own children killed now wish the same on their enemies. Its honesty matters. Scripture lets the victims speak their rage aloud to God instead of acting it out, and that is a very different thing from blessing it.

← A Sparrow Alone on the RoofYou have just read Psalm 102, one sufferer's prayer for Zion's rebuilding. Psalm 137 is the exiles' communal cry. Next, the story turns to the visions of Daniel in Babylon, beginning with the four beasts from the sea (Daniel 7).Four Beasts and a Son of Man →
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